The Limits of the Useful

Revising the Operational Framework of Usefulness in Architectural Production

Authors

  • Miguel Paredes Maldonado University of Edinburgh Author

DOI:

https://doi.org/10.2218/z9tbw063

Abstract

This paper attempts to broaden the conceptual framework of usefulness in architectural production beyond the limited scope of classical utility that has its origins in Vitruvius’ notion of utilitas, a notion that still constitutes a prevailing criterion for the evaluation of any work of architecture. The starting point of this task is the examination of a series of contemporary critical positions concerned with the subversion of conventional relationships established by space, function and time. Hence Bernard Tschumi’s interplay of body and event, Peter Eisenman’s anti- functionalism, Giorgio Agamben’s analysis of the dandy and Georges Bataille’s notion of expenditure are discussed insofar as the operations they describe challenge the direct, univocal relationship between spatial arrangement and functional performance embodied by classical utility. Their arguments are then fed into the characterisation of the mechanisms of the obsolete, the dysfunctional and the dissipative, which are presented as opportunities for a radical departure from conventional notions of usefulness. The paper continues by arguing that in order to consistently evaluate such mechanisms without resorting to a binary categorisation of the useful and the useless we might tap into the conceptualisation of phase spaces elaborated by Manuel de Landa in the context of his readings of Gilles Deleuze. In so doing, the useful becomes a multidimensional range of positions populated with a multiplicity of diverging lines of departure from the asymptotic limit represented by the classical notion of utility. In an attempt to further demonstrate how this conceptual approach can be used to mobilize architectural design methodologies, two projects from my current design research practice are described in the form of an additional, juxtaposed narrative voice that both extends and embodies the theoretical apparatus of the paper.

Read the full article online at: https://drawingon.org/Issue-01-06-Limits-of-the-Useful

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Published

2015-09-24